FUTUREMORI
Field Study 03

Stories That Move

Long before the debate about whether AI could replicate taste, the creative journey was already about structure, rhythm, emotion, image, and sound.

Film · Television · Music

This is the foundation: television story production, songwriting, composition, and the craft of turning raw material into something an audience can feel.

Structure · Rhythm · Emotion · Image · Sound
Chapter 01 / Television

Finding the storyinside the material.

Story production across 17+ series and more than 70 episodes, including senior and supervising roles.

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2016–2017Superjacket Production Company · Nickelodeon

Jagger Eaton’s Mega Life

Lead story producer across 20 episodes, shaping story in collaboration with producers, editors, and network executives.

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2020Ample Entertainment · The History Channel

Lost Gold of World War II

Story produced eight episodes, helped shape the season narrative with editors and producers, and conducted historical research to verify and validate claims.

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2020Complex Networks · Hulu

Basketball and Other Things

Story producer for the interview based documentary series inspired by Shea Serrano’s bestselling book.

Chapter 02 / Music

Sound carries what words cannot.

Selected songwriting, production, composition, and sync work across film, television, documentary, radio, and live performance.

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2019CBS All Access

The Twilight Zone

Two songs from The Shoals, “We Got Along” and “I’ll Follow,” featured in the series. Written and produced by Manish Ayachit.

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2024WNYC · Lincoln Center

NPR Public Song Project

Winner for a cover of Irving Berlin’s “What’ll I Do,” recorded with Ashleigh Prather. Interviewed on WNYC and performed the song live at Lincoln Center.

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Coda / 03

Editorial judgment. Narrative craft. Music, rhythm, and emotional intuition.